archiveofaffinities:

Frank Lloyd Wright, Price Tower, Bartlesville, Oklahoma 1952-1956

archiveofaffinities:

Frederick Kiesler, The Endless House, 1960 

garadinervi:

Mercedes Pardo, Sombras Transfiguradas, 1976 [Fundación Alejandro Otero-Mercedes Pardo, Caracas. © Estate of Mercedes Pardo]

scavengedluxury:

Construction of the “Pataky” Cultural House, Budapest, 1974. From the Budapest Municipal Photography Company archive.

scavengedluxury:

Orbis Pavilion, Warsaw, 1975. From the Budapest Municipal Photography Company archive. 

scavengedluxury:

Aluminium factory control room, Almásfüzitő, 1974. From the Budapest Municipal Photography Company archive.

socheritage:

Radar station facing the former border between the USSR and China - now in Kyrgyzstan, close to the village of Sary-Tash and on the long downhill road from the Tajik border.
#socmod
photo via BACU Contributor program by @liquidation.of.excess
https://www.instagram.com/p/CQMtyecsxig/?igshid=NGJjMDIxMWI=

retroavangarda:

Anna Atkins, Cyanotype, 1840’s

lmalufmas:

Rosenfield, K. (2017, February 17). Memorial to Slice Island-Site of the Utøya Massacre in Half. Retrieved October 15, 2020, from 

https://www.metropolismag.com/design/arts-culture/memorial-slice-island-site-utoya-massacre-half/

The image above depicts Oslo’s 22 July Memorial Competition winner’s design, created by Swedish artist Jonah Dalberg. The memorial would create a three meter long divide through the island of Utoya, slicing the island into two separate parts. Dahlberg responded to backlash directed towards environmental concerns, “ “It reproduces the physical experience of taking away, reflecting the abrupt and permanent loss of those who died.” Dalhberg explains his radical, evoking plan as one that will impact visitors for a lifetime-and show the sudden, harsh change in victims and their families’ lives forever. It also depicts the two extreme ideologies that led to Andres Brevik’s attacks. 

retrogeographie:

Cergy, les Chênes Bruns.